Coraline (Selick,
2009)
I believe a good number of people (despite their fear-induced
inclinations) believe that Coraline would
belong on an updated AFI list. This film
is seamless. The animation is precise,
arresting and above all chilling. This
is a world that owns is bizarreness; and with a soundtrack that’s strangely
playful and melancholy, its damn near impossible to remove your eyes from the
screen. It’s a gem and thus should be
given the proper accolades for the achievement it is.
Animation is an ever-changing beast, becoming more
technically driven toward remarkably lifelike detail and design. The stuff being pumped out now is awesome, sincerely,
yet most settle on style over substance, Corlina
does not. A well-balanced mix of magical
realism, horror, and adventure, Corlina
doesn’t skimp on subtly and atmosphere; in the Other Mother’s kitchen the heat
from the stove, warmth of incandescent lighting and soft haze of what must be
the smell of the Other Mother’s good cooking, radiates off the screen. If you can’t already tell I’m a huge
fan.
The skill for animation has always impressed me. These people are true artists, bringing inanimate
objects into being with honest to goodness charm, charisma, and style, no less. It’s a talent I’ve long sought to possess,
and maybe with a little effort and a little less procrastination and
“researching”, who knows.
Choosing not to give up too much about the story we’ll just
say, it’s the tale of a girl forced to change a world she never knew yet always
wished existed. It’s fun, kinda nightmarish
and creepy but in all the right ways, and what should be expected from the
minds of Neil Gaiman and Henry Selick (Nightmare
Before Christmas, 1993)? Two men
blessed with the gift of making fear less scary and more, well enlightening.
Check out Coraline
and put your bravery to the test.
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